Are We a Good Fit? (FAQ)

I’m multidisciplinary, with deep roots in Jazz, R&B, Soul, Hip-Hop, and Gospel—often blending them for left-field or adventurous styles. I dabble in Rock/Pop as well, though it’s not my main focus.

I thrive with artists who love blending influences and challenging conventions. If you appreciate a cross-genre, boundary-pushing approach, we’ll likely click. 

I can arrange quality session players or specialized studios if you want them. The cost is extra, but we’ll confirm before incurring any fees. My job is to ensure you get the resources needed for your vision.

No. I operate remotely and will rent studios as needed. This allows me to deliver a high quality result while stretching how far your dollar goes.

I don’t hold dates without a deposit. Once you’re ready, we’ll finalize the deposit, contract, and secure your timeline. If your spot is far out, then there will be a  Let’s talk if your schedule is tight; I’ll do my best to accommodate.

Yes — but only for artists who are prepared to work at a high level and meet a few key requirements. If you’re looking to create an EP or album with me, here’s what you’ll need:

• A minimum of 3 songs ready to develop.
  EP and album projects require enough material to justify the commitment, focus, and investment on both sides.

• Completion of at least one full song with me, start to finish.
  Before we take on a larger project together, we need to be sure our creative partnership is the right fit. Starting with a single-song collaboration in an 8-Week Songscraft Sprint ensures we align on process, vision, and communication.

• Upfront or short-term payment for the project.
  Multi-song projects demand significant planning, resources, and scheduling. To keep things streamlined and fair, I require payment in advance or via a short, clearly defined payment schedule.

If you meet these criteria and are ready to invest in a focused, collaborative project, let’s talk about your next release. The first step is always a Free Clarity Call, where we’ll map out what you’re looking for and determine if it’s the right fit for both of us.

Great music comes from a collaboration where trust, respect, and clarity lead the way. I lead when leadership is needed, support when it’s right, and always keep the focus on what serves the song best.

Creative differences are handled directly and constructively, with the shared goal of making your music as impactful as possible. Ego gets checked at the door. My job is to create the space for your best work, while steering the process to deliver real results.

You won’t find pricing on this page because every project is different — your creative goals, session scope, and collaboration style shape the final quote. What I can tell you is this:

• I charge a flat fee, not recordings royalties — unless we enter a long-term creative relationship where a mix makes more sense for both of us.

• If we co-write, we’ll either agree on a writing fee (in addition to the production fee) or split the composition credits and income accordingly. I’ll always be credited publicly as a co-writer when that applies.

• If we just develop the song consultatively, no songwriting credit or royalties are involved — that’s part of the standard process.

• Credits? I’ll be credited appropriately in the final release — writing, production, and engineering.

Everything — including rights and splits — is spelled out in the contract upfront, so there’s no ambiguity and no surprises.

Before you commit to a project, we have a real conversation — to explore your project, goals, and working style. I also answer all your questions and walk through how things will go. If we both feel aligned, we move forward. If not, I’ll still point you to something that fits better. For artists who want an extra step before committing, I offer paid pre-production consultations and assistance by request/availability.

Yes and no — my offers are built for serious, career-focused artists who are already creating at a high level and want to go further with expert support. Some beginner artists do have the budget for my production while being a good fit. But if you’re just getting started, this likely isn’t the best next step.

For the project we collaborate on, I need full creative and technical oversight. That means no outside producers or engineers unless I bring in peers I already work with under my direction. You’re welcome to work with other collaborators on different projects — but for this one, my process requires a unified vision and execution. That’s how I keep the quality high, the communication clear, and the final result cohesive.

That’s perfectly fine. Book a call then we’ll review what you have and plan from there. This process is flexible enough to integrate existing material if it aligns with your goals.